I’ve had mixed feelings about New York City ever since I was a young Girl Scout making my first trip by boat to circle the Statue of Liberty and Ellis Island. It was beautiful, magnificent, large, and simply awe-inspiring from a distance. On an island stuffed with so many people with ‘places to go and people to see,’ how could it not be a great place for learning and exploring?
Yet whenever I step onto the street outside of Penn Station or whatever parking garage my mom chose, I was horrified: filth, grime, fossilized flattened gum, spit, wrappers, gloves—whatever debris you could think of—it was there. And the people were even more terrifying: the ‘normal’ people with coffee mugs in hand and heels and briefcases and simply no time to make eye contact; and the dirty, possibly homeless people, covered in layers and layers of clothes, who did make eye contact and made you feel just as scummy, just as abandoned and cold.
Overall, my fear won out over my fascination with the city. I often wanted nothing to do with the place, and when I did go, I clung to my mother’s coat for dear life, fighting the wave of people who seemed desperate to elbow me and shake me loose. I could never figure out what they wanted from me. Should I curl up further and take up less space? Should I cling tighter? Should I shove back and hope my mother walks fast enough for me to avoid any retaliation?
Or should I let go and figure it out on my own?
January 28th 10:35am
When Mark and I drove in from New York around 4am, it was negative three degrees. He said he wasn’t going to bother at that point with bringing anything in from the car, so I clung to my purse and toiletry bag (Mark changed his mind and brought in the pillow and blanket I brought along) as we trudged to his apartment from the car.
I wasn’t thinking about nature. At that point, I didn’t care about nature. It was being a dumb little bitch, throwing this arctic-vortex-freezing-cold-whatever-may-have-you temper tantrum, and quite frankly, I was done with all of it.
But I woke myself up early this morning. I left Mark to sleep and creeped to the outside window, craning my neck to see the backyard of the abandoned house. It looks the same as how I left it on Thursday morning, I with the intent on being a good student and getting my work done before my trip. All I wrote for the five minutes I was out there was “freezing cold. no animals. snow.”
I wonder as I sit near the heat-blasting vent if I should even pretend I went outside. I am desperate to avoid going outside at any cost, so I decide there’s no point in hiding it: today I observe my nature from the security of a warm inside. It’s probably zero degrees right now. Surely my instructor can understand that.
I hope.
I decide to finally identify the vine that is covering the majority of the trees outside. After searching desperately through the internet, I find a forum dedicated to this type of plant identifying. A woman is desperate to find out what is plaguing the trees in her backyard, and after scrolling down to avoid the backstory, I find what I am looking for: winter creeper.
It is a perennial and an invasive parasitic vine native to east Asia with a thick, hairy base that attaches itself to trees (sometimes even overtopping them) and with leaves and flowers—“small greenish” ones, according to the Missouri Department of Conservation; I’ve never seen them before—and spreads by the well-meaning birds. At least, I think they are well-meaning.
It is tolerant to nearly everything natural: harsh conditions, shade, sun, except “extremely wet conditions.” (Nearly everything quoted in here is from the website of the Missouri Department of Conservation). While it apparently “occurs infrequently” throughout the United States, when it is present, it is “very aggressive,” growing rapidly and stealing the nutrients and sun from other plants and trees. Because it is so awful to the surrounding environs, the “most effective control is to totally eradicate the species [….] Invading individuals should be pulled and removed as soon as possible after recognition.”
I think to myself that is quite a harsh reaction. I wonder if I should let Mark know. He has already taken it upon himself to unclog the basement sink and replace the lint trap of the washing machine. Perhaps his landlord, once informed of this, will be willing to negotiate something with him for the removal of the winter creeper. Although the last time I attempted to enlist his service, it was to get him to help my father put a french drain into the backyard—for a fee, of course—and I don’t believe he was too happy about it.
“I used to do french drains all the time,” he said. “As soon as I was able to carry a backpack, daddy bought me one of those backpack leaf blowers.”
I soon afterward dropped the subject.
I can see from the window that, of the leaves that survived, it is the kind I found on the internet: nearly oval, with a point on the end, flat and dark green. I look at the fallen trees, slumped across the yard, covered in jutting and hairy branches, bark covered by a tangle of the winter creeper, now as dead as the tree itself.
The winter creeper (a.k.a. Euonymus fortunei) was named after Robert Fortune, who worked for the Royal Botanical Garden Edinburgh and, after the Treaty of Nanjing in 1842, was tasked with collecting the various plants of China. As one can assume, the Treaty of Nanjing was simply the first of many British treaties in which China was exploited. While the treaty did end the Opium War, it did not end British attempt to continue its reach further east. Years later, Fortune, under the blessing of the British East India Company, went back to China disguised as a Chinese merchant and was able to successfully transport tea to India; one cannot forget the fact that it was, of course, declared illegal by the Chinese government for Fortune to have bought the tea plants. (All of the above information on Fortune can be found on Wikipedia.)
In “The Signing of the Treaty of Nanjing” painting, only one man looks, as I can tell from my small computerized preview, to be from China; the rest are nearly all clean-shaved, military-uniform-wearing white men, their heads lined in a row, each indistinguishable from the other.
I look at the clump of ivy choking the trees outside and then think of the axe my father used to cut the thick hairy vine that permeated our backyard trees in both New Jersey and New York. I think of my lame attempt, oblivious to the plant’s history, to put these ideas into a poem. The first version, titled “Scars,” went like this:
Thick scar wrapped around his knee,
a different color of skin,
smooth with its own wrinkles
like the parasite on the tree,
vine-like how it clutches the trunk and hauls itself
further up towards the light.
Axe in hand, he’d swing at the bottom,
near the soil, panting, desperate
to keep it from scarring the bark.
My poetry mentor at the time said of this poem, “I know what you mean about scars having their own wrinkles and how the parasite it like the scar, but no—this isn’t fully realized, not finished yet. Give it some time—don’t edit it right now—and then try again.”
So I, embarrassed and frustrated by this attempt to write about nature, let it rot in the depths of my computer files. I think about it randomly, but I don’t feel ready just yet to try to write about it again.
I think, maybe the next time I stumble upon it I will be ready. But not right now. Not right now. I need time to clutch on before I feel ready to let go.